Well, I’m about 14 listens into the new My Bloody Valentine album, and I can already feel it restructuring my genetic make-up. I’ve always adored Loveless, and as crazy as it seems to me that I may actually enjoy this record even more, I can’t deny it. Listening to mbv is like watching water rush down an empty riverbed – it works its way into every crack and fully consumes everything, creating a new unified entity with the previously dry ground beneath it. This is the first album I’ve ever tried to turn my Bose computer speakers all the way up for, and they totally had not a lick of balls to get to the point I needed. I need to drown in this shit – that’s the intention of the music, and not letting it fully wash over you is a complete disgrace and disregard to its power. You can read my full review of the album HERE at State of Mind, and here’s the last paragraph of it.
…Somehow, thank god, Bilinda Butcher’s vocals are still as ethereal and illusive as ever. After all this time, I still have no clue what one word of the lyrics she sings on Loveless is, and 22 years from now I’ll still have no clue what any of the words on mbv are. But complaining about that is like complaining about not properly knowing what hue of indigo lies within glacial ice — some things in life just are entities solely unto themselves. I could go on and on… how perfectly imperfect the guitar tone is in “Who Sees You”… how “New You” is the most eerily beautiful anything of the past decade… how the drums on “In Another Way” sound like a syncopated stampede of rabid yak… how “Wonder 2″ is most assuredly the sound of Neptune’s rings… To simply delineate the enormity of this music into something so trivial as “shoegazing” is like classifying your life with a haircut. mbv is not only a testament to the potential triumphs of great bands lost along the way, but an ode to the authenticity of rebirth in general….